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List of European medieval musical instruments

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This is a list of medieval musical instruments used in European music during the Medieval period. It covers the period from before 1150 to 1400 A.D. There may be some overlap with Renaissance musical instruments; Renaissance music begins in the 15th century.

Part of a series on
Medieval music
Overview
Movements and schools
Major figures
Major forms



Percussion

[edit]
Names and variations Description Ethnic connections,
regions 		Pictures
Adufe[1] A frame drum brought to Iberia by Muslims and played mainly by women.[2] Used in the charamba in Portugal, a circle dance for couples.[2]

The adufe is a square or rectangular frame drum usually made of pine, over which is mounted a goat's skin. The size of the frame usually ranges from 12 to 22 inches on each side, and 1 to 2 inches thick. The skin is stitched on the sides, with the stitches covered by a coloured ribbon. In the interior small seeds or small stones are placed to make pleasing sounds.

Iberia
Portugal
Spain
Musicians, Crusader Bible, MS M.638, fol. 29r
1240s A.D., France. An adulf (square held over the group's head)
Circa 1320, Barcelona. Woman playing an adufe, from an illustration in the Golden Haggadah.
Bells
Bell table
Bumbulum (legendary)
Clappers

cliquettes

Clappers from the Carolingian Empire appear to have been disks or possibly chimes attached to sticks. Other versions were blocks of wood held in the palms. The palm-held blocks could make clicking and rattle noises like castanets. Other similar instruments worldwide include the Thai/Cambodian krap sepha, Indian/Nepali khartal, Uzbek/Tajik qairaq, or North African krakebs.
795 A.D., France or Germany. Carved ivory bookcover, showing man playing clappers, from the Dagulf psalter
Circa 850 A.D. Musicians in the Utrecht Psalter holding a lyre and clappers.
Circa 1250 A.D. Crusader Bible (MS M.638, fol. 39r) cropped for cliquettes. Also a bell and a clarinet.
1280 A.D. Cliquettes or clappers (in the woman's hands) from the Musician's Codex, Cantigas de Santa Maria.
Cymbals
970 A.C. Cymbals in the Valcavado Beaus, Spain
Cymbals in the Golden Haggadah, circa 1320
*Frame drum
Jew's harp[3]
Nakers
Troubadors playing nakers and vielle, from the Olomouc Bible, folio 276R
Pandeiro[4]
Tabor

Pipe and tabor

A three-hole pipe or reed pipe paired with a snare drum, the musician playing both at once. A variation of this is the Tambourine de Bearn, in which a dulcimer or string drum replaces the snare drum.
Pipe and tabor, from the Cantigas de Santa Maria, circa 1280 A.D.
Pipe and tabor
Tambourine de Bearn. This instrument is still used in Basque-language areas in Spain, called the ttun-ttun.



Tof

Timbrel[5]

Tambourine

Tof was the Hebrew instrument which Miriam played, "most commonly translated" into English as timbrel[6] Near eastern origin, used by Gauls, Greeks, Romans (tympanum), Egyptians, Assyrians. [7] Jingles were probably originally separate from this instrument.[7] Also related to Daff.[7]
1300-1325 Belgium/Netherlands. Angel with tambourine in Maastricht Book of Hours, folio 129R
1320 A.D., Barcelona, from the Golden Haggadah; Miriam was known for playing the timbrel
Triangle
Musician plays triangle in Olomouc Bible, folio 276R

String instruments

[edit]
Names and variations Description Ethnic connections,
regions 		Pictures
Citole[8][9]
Circa 1310 A.D. Citole from the Robert de Lisle Psalter.
Dulcimer

Hammer dulcimer

A box zither; see psaltery.

"Little is known of the dulcimer before the mid-15th century."[10] Earliest known depiction is on ivory carving for book cover, 12th century A.D.[10][11]

Hammer Dulcimer in painting Assumption of Mary by Bartolomeo della Gatta, circa 1473.
Fiddle see also
Gusle
Kemenche
Kemenche of the Black Sea
Kemane of Cappadocia
Shikepshine
Lijerica
Lyra
Byzantine lyra
Calabrian lira
politiki lyra
Cretan lyra
Gadulka
Gudok
Pochette
Rebec
Rabel
Vielle
Vihuela de arco
Fiddle from Theodore Psalter, folio 191R, 11th century A.D., Byzantine Empire
Gittern[9]
Guitarra latina One writer has summed up the guitarra latina, which is not well defined, saying "For musicians in Alfonso’s time it may have meant only 'a plucked stringed instrument: not the Muslim one.'"[12]
Instrument on left has been called guitarra latina and citole. Instrument on right has been called guitarra morisca (Moorish guitar) and vihuela peñola (quill plucked guitar).
Fiddle at left could be called a vielle. Instrument on left has been called both guitarra latina and citole.


Guitarra morisca[13]
unknown guitarra
unknown guitarra
Possible guitarras morisca. The Moors (if they mean Africans) had a tradition of wood-bowed lutes covered with leather. Arab/Persian Muslims had a different carved wood with leather tradition (barbat and gambus). Either group was called Moors in Spain.
Medieval harp (Medieval form of the modern harp)
Harp from Theodore Psalter, 11th century A.D., Byzantine Empire
Lute[14]
Rebec or rebab (left), lute right.
Lyra
Byzantine lyra
Cretan lyra
 Fiddle, related to rebec
Later versions of the Cretan lyra, from a museum in Athens.
Circa 900 – 1100 A.D. Lyra on a Byzantine ivory casket, Museo Nazionale, Florence
Lyre
Five-string lyre from the Durham Cassiodorus, 8th-century A.D., England
King David with his lyre, Vespasian Psalter, 8th century A.D.
Organistrum (large form of medieval hurdy-gurdy)

Hurdy-gurdy

Nyckelharpa

Symphonia

Possible symphonia, a name that meant hurdy-gurdy or organstrum from the 12th century on.[15]
Psaltery
1280 A.D. Cantigas de Santa Maria. Psaltery being played with two hands, probably base at bottom to treble strings higher.
Rabel Fiddle, probably variation of rebec. Survives today in Basque speaking areas; historically had leather soundboard; modern instruments may have wooden soundboard. The instrument traveled to the Spanish colonies in America, where it can be found today in Panama.
Modern Galacian rabel
Rabel or possibly rebec. Line around edge of soundboard indicates this instrument had a skin soundboard.
Musicians from the arch of the 12th entury A.D. West portal of Santo Domingo Church, Soria, Spain
Rabel from Cantabria, at the Ethnographic Museum of Cantabria
Unnamed fiddle. Possibly rabel or vihuela de arco or rebec. Santiago Catedral Quintana
18th century, Cantabria. Rabel constructed in area where tradition still existed.
Asturias. An arrabita or rabela (Basque) with a wooden resonance box in the shape of a figure 8 and a leather cover. It has three gut strings. The bow has a string of white bristles.
Rabel at the Ethnographic Museum of Cantabria
Rebab

Rabé morisco

Rebab is a word for various kinds of fiddle in the Muslim world. Spelling is loose, because Arabic does not write down vowels sounds. Rabab, rebab, rubab, ribab have all been used, and some of them are used for plucked instruments in Asia as well.
Bowed instrument resembling Maghreb rebabs. Spanish and Catalonian names for this include Rebac and Rabel (both are instruments played on the arm, rather than the knee), but its shape closely resembles these.
circa 1437. Angel or possiby Mary, Queen of Heaven playing a rebab. Panel of the Altarpiece of Santa María la Mayor of Albalate del Arzobispo (province of Teruel). It is preserved in the Museum of Zaragoza.
Rebabs from 1280 A.D. that resemble modern Maghreb rebabs. These have also been called rabé morisco (Moorish rebecs).
Instrument seen only in Cantigas de Santa Maria. Resembles guitarra but is played vertically like a rebab or a later viol (viola de gamba or vihuela de gamba). Unlike these, it is shown played vertically while standing.
Rebec[16]
Modern rebec
Rotte
Vielle
Possible vielles. Could also be vihuela de arco
Vihuela de arco

Vihuela de arco pequeña (small bowed vihuela)

The vihuela de arco may be a variant of the vielle. Spain had a variety of fiddles (which predate the violin) in the cathedral artwork and manuscript miniatures.
Possibly the vihuela de arco (bowed vihuela) and vihuela de penola (quill plucked vihuela) The bowed instrument could be called a vielle
Vihuela de arco (bowed vihuela). The downward bowed fiddles came to be called Viols, as in Viola de gamba (viol of the legs). Vihuela was the Spanish name, and in Spain the vihuelas became plucked more than bowed.
Spain, "second third of 10th century".[17] Vihuelas de arco or Violas de arco played with a bow. From Commentary on the Apocalypse, Codice VITR 14.1.[18]
Zither

Wind instruments

[edit]
Names and variations Description Ethnic connections, regions Pictures Pictures
Bagpipes[19]
Bellows pipe
Bladder pipe
Bombard
Buisine
Crumhorn
Flageolet
Flute
Gemshorn
Organ
Portative Organ
Recorder
Sackbut[20]
Shawm[21]
Tabor Pipe
Zampogna
[edit]

References

[edit]
  1. ^ Gutwirth, Eleazar (1998). "Music, Identity and the Inquisition in Fifteenth-Century Spain". Early Music History. 17: 161–181. doi:10.1017/S0261127900001637. ISSN 0261-1279. JSTOR 853882.
  2. ^ a b Schechter, John M. (1984). "Adulfe". In Sadie, Stanley (ed.). The New Grove Dictionary of Musical Instruments. Vol. 1. p. 25.
  3. ^ The Jew's harp : a comprehensive anthology. Leonard Fox. Lewisburg: Bucknell University Press. 1988. ISBN 0-8387-5116-4. OCLC 16356799.{{cite book}}: CS1 maint: others (link)
  4. ^ Mauricio Molina (2006). Frame Drums in the Medieval Iberian Peninsula. pp. 101–. ISBN 978-0-542-85095-0. Retrieved 25 December 2012.
  5. ^ "TIMBREL - JewishEncyclopedia.com". Jewishencyclopedia.com. Retrieved 2016-05-13.
  6. ^ Sadie, Stanley, ed. (1984). "Timbrel". The New Grove Dictionary of Musical Instruments. Vol. 3. p. 585.
  7. ^ a b c Sadie, Stanley, ed. (1984). "Tambourine". The New Grove Dictionary of Musical Instruments. Vol. 3. p. 511.
  8. ^ [1] [dead link]
  9. ^ a b Baker, Paul. "The Gittern and Citole". Retrieved 4 December 2016.
  10. ^ a b Kettlewell, David (1984). "Dulcimer". In Sadie, Stanley (ed.). The New Grove Dictionary of Musical Instruments. Vol. 1. p. 627.
  11. ^ "A marvel in gold and ivory: Queen Melisende's Psalter". 26 May 2022. [Caption for photograph of the book cover. The dulcimer is in bottom right corner of book-cover carving] The Melisende Psalter, Upper cover with scenes from the life of David: Egerton MS 1139/1
  12. ^ Bouterse, Curt. "Medieval Instruments V: Fiddles – Curt Bouterse".
  13. ^ Galpin, Francis William (1911). Old English Instruments of Music. Chicago: A. C. McClurg and Company. pp. 21–22.
  14. ^ "A Panoply of Instruments for Medieval, Renaissance, and Baroque Music". Music Educators Journal. 65 (9): 38–69. 1979. doi:10.2307/3395616. ISSN 0027-4321. JSTOR 3395616.
  15. ^ Brown, Howard Mayer (1984). "Symphonia". In Sadie, Stanley (ed.). The New Grove Dictionary of Musical Instruments. Vol. 3. p. 483.
  16. ^ Spohnheimer. "The Rebec". Music.iastate.edu. Archived from the original on 2016-05-04. Retrieved 2016-05-13.
  17. ^ "Título uniforme [In Apocalipsin] Title Beati in Apocalipsin libri duodecim". bdh.bne.es. BIBLIOTECA DIGITAL HISPÁNICA. Retrieved 10 December 2016.
  18. ^ "Título uniforme [In Apocalipsin] Title Beati in Apocalipsin libri duodecim". bdh.bne.es. Biblioteca Digital Hispánica. Retrieved 10 December 2016.
  19. ^ Jones, G. Fenwick (1949). "Wittenwiler's "Becki" and the Medieval Bagpipe". The Journal of English and Germanic Philology. 48 (2): 209–228. ISSN 0363-6941. JSTOR 27713052.
  20. ^ Spohnheimer. "The Sacbut". Music.iastate.edu. Archived from the original on 2016-05-04. Retrieved 2016-05-13.
  21. ^ Spohnheimer. "The Renaissance Shawm". Music.iastate.edu. Archived from the original on 2016-05-25. Retrieved 2016-05-13.
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